Dario Moschetta develops pictorial research based on stratification, understood not only as a technique but as a method of observing reality. His works are constructed through accumulation: images, signs, papers, abrasions, and colors coexist on the surface like traces of a lived experience, never linear, always partial.

The human face and the urban landscape are recurring themes, treated as places of memory and emotional transition. The subjects are never described definitively, but emerge from the material, as if caught in a phase of emergence or dissolution. Painting thus becomes a space of tension between presence and absence, between recognizability and loss.

Moschetta's practice dialogues with the aesthetics of collage and with a contemporary sensibility that looks at the consumption of the image and its fragility. The marked and irregular surfaces evoke urban posters worn by time, restoring an image that is never glossy, but deeply human.

In this balance between gesture and control, between figuration and matter, the artist constructs a personal language that invites the viewer to a slow and participatory experience of observation. The works do not ask to be deciphered, but inhabited: like fragments of open stories, capable of activating an intimate and silent relationship with the viewer.